Angus Fletcher
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
The influence of Joseph Campbell and the idea of an archetypal journey have long been credited as part of the success of George Lucas's epic space opera. However, neuroscience has since debunked the idea of this "monomyth" and Professor Fletcher shows you how the power of the script comes down to something much simpler: childlike wonder.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Character is the key ingredient in most successful stories; make great characters and audiences will want to follow them anywhere. Professor Fletcher presents a simple recipe for creating memorable characters with three simple ingredients. Discover why fear is the most powerful driver of human behavior and why this is a key to creating and sustaining great characters.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Take a look at the film whose immense success gave us the term "blockbuster," examining why the feeling of relief is one of the most primordial of human emotions and how it can best be put to use in good storytelling. Also gain an appreciation for the value of improvisation and collaboration with actors in the filmmaking process.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
The success of the procedural story harkens back to the Victorian heyday of Sherlock Holmes, whose adventures always followed a similar pattern but with important variations. This same technique drives the success of shows like CSI, as this lecture demonstrates by looking at the pilot episode, which encapsulates the show's combination of problem solving and problem making.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Film scripts often use literary techniques to build the story world, form characters, and set the right tone. By adopting a collage method taken from the surrealist movement, Pulp Fiction shows that visual arts can influence story in much the same way. Explore the various ways connections can be made between seemingly unrelated characters and events.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Follow Professor Fletcher as he shows you how a television pilot works. Or, in the case of the original Game of Thrones pilot, how it doesn't. Compare the initial failed script with the later successful one and see how a story can be reshaped to better achieve its desired effect and discover why writing a TV pilot is like building an engine.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
How does a script go through 19 rewrites and multiple directors to emerge as one of the most influential films of the 20th century? Reverse engineer this story that traces its roots back to ancient Rome and see how a sublime tragedy can be even more powerful when brought down to a human scale.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Writing a script is simply another way of telling a story, albeit one with its own special set of possibilities and limitations. This course will provide you with the invaluable ability to appreciate more films and TV, tell better stories, and write your own scripts. How you decide to use these limitless creative possibilities is up to you.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Begin your exploration of great film scripts with Casablanca. Learn how to identify its cognitive effect and reverse engineer the four main story components to unlock the tools you will use to understand every script. Casablanca will also introduce you to the first of the "big three" storytelling genres: the heroic.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
One of the most common pitfalls of scriptwriting is poor plotting. The human mind is actually designed to plot - the key is learning how to constrain this natural tendency so your story doesn't simply wander. See how plotting backwards can help you stay on track and why you should forget about creating a three-act structure.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Before "Lights! Camera! Action!" there is one thing a film must have: a good story. Look to the literary past to see how the earliest stories shape the ones we create today and use that knowledge to look at scripts and storytelling. You may be surprised to discover how cognitive science can shed light on how humans experience stories.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
A comedy with an ending more like a tragedy and with a tone that effortlessly fuses irony and sentiment, Annie Hall was an instant success that almost didn't happen. Use what you have learned about reverse engineering stories to better understand how to reach your ultimate (psychological) destination in a script.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
The gritty soul of the Western genre was revived by the release of Unforgiven - a film that is not just a lesson in great genre writing, but in how to bring old stories back to life. Look at the ways the various story elements help create an anti-hero audiences will root for as you explore how a seemingly forgotten genre can be revived with the right script at the right time.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Begin your transition from the big screen to the small by looking at the different ways television and film scripts approach storytelling. See why the conflicts and plotting of TV must operate differently from film to sustain story over time and how you can determine which format is best for the kind of story you want to tell.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
In the first of three lectures focused on successful TV genres, look at the longest running sitcom in television history, The Simpsons. This lecture shows you why jokes are not the key to humor; it's all in the characters and their ongoing conflict with the world around them. Look at the episode "Duffless" and see how it works as a great example of sitcom writing.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Some films defy easy explanation. Fargo is an eccentric story that uses its oddities to its advantage - like delaying the appearance of the main character for almost a third of the film. Explore existentialism and see what can happen when writers stop thinking about fixed structure and focus on the desired result.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
See why soap operas are an enduring and brilliant form of storytelling, despite their reputation. By focusing on the subjective and the most primal of human emotions, soap operas allow viewers to experience deep feelings that may be difficult or absent in real life. Grey's Anatomy shows how the conflict between wanting to belong and feeling like an outsider can fuel this kind of storytelling.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
Professor Fletcher concludes the course with a look at the ultimate goals of Screenwriting 101: to help you appreciate more film and TV; tell better stories; and write your own scripts. As he takes you through each of these points and sums up the scope of the course, he also gives invaluable practical advice on how to become a screenwriter from a professional perspective. And that's a wrap.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
The basic plot of all romantic comedies is essentially the same, so the surprise success of When Harry Met Sally can teach writers volumes about all the other ways you can make a story great. Professor Fletcher demonstrates the subtle ways screenwriters can add naturalistic details to make a predictable story still feel realistic and rewarding.
Publisher
The Great Courses
Pub. Date
2017.
Language
English
Description
The Princess Bride is the first film thus far that was not a hit on its initial release. Instead, its popularity grew slowly over time, engaging small audiences who were connected by a sense of being "in on the secret" - the essence of charm. Solve the riddle of how two different worlds can actually be the same and discover why community can be an important element of storytelling.