Maya Deren. Volume one, Dances for the camera.
(Streaming Film)
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Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
Streaming Film
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by ADF Video in 2002.
Description
This is a compilation of some of Maya Deren's most important films: The very eye of night, (1955) Ritual in transfigured time, (1946) Meditation on violence (1948) Study for choreography and camera (1945). These films address dance as "... the stylization of movement which confers ritual dimension upon functional motion ..." She has been described as an inheritor of the surrealists, however, Maya Deren was one of the earliest pioneers in the adaptation of dance for the camera. As a woman working in the 1940's and early 50's, her work anticipated many of the obstacles and biases of subsequent feminist discourse. Her work has long been the focus of film scholars, but neglected by those in the world of Dance/Film and Video. Maya Deren's work with Anthony Tudor and Talley Beatty among others represent seminal explorations of the possibilities of dance and the camera.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). Maya Deren . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. Maya Deren. [San Francisco, California, USA]: Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Maya Deren [San Francisco, California, USA]: Kanopy Streaming, 2014.
Harvard Citation (style guide)(2014). Maya deren. [San Francisco, California, USA]: Kanopy Streaming.
MLA Citation, 9th Edition (style guide)Maya Deren Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
MARC Record
Grouped Work ID
9fc9c721-5a4d-86cd-5fdc-9e2a43e3aa80-eng
Grouping Information
| Grouped Work ID | 9fc9c721-5a4d-86cd-5fdc-9e2a43e3aa80-eng |
|---|---|
| Full title | maya deren volume one dances for the camera |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2023-08-17 17:26:11PM |
| Last Indexed | 2025-01-18 02:45:15AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Nov 2, 2024 |
| Last Used | Nov 2, 2024 |
Marc Record
| First Detected | Aug 17, 2023 05:26:34 PM |
|---|---|
| Last File Modification Time | Aug 17, 2023 05:26:34 PM |
MARC Record
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| 518 | |a Originally produced by ADF Video in 2002. | ||
| 520 | |a This is a compilation of some of Maya Deren's most important films: The very eye of night, (1955) Ritual in transfigured time, (1946) Meditation on violence (1948) Study for choreography and camera (1945). These films address dance as "... the stylization of movement which confers ritual dimension upon functional motion ..." She has been described as an inheritor of the surrealists, however, Maya Deren was one of the earliest pioneers in the adaptation of dance for the camera. As a woman working in the 1940's and early 50's, her work anticipated many of the obstacles and biases of subsequent feminist discourse. Her work has long been the focus of film scholars, but neglected by those in the world of Dance/Film and Video. Maya Deren's work with Anthony Tudor and Talley Beatty among others represent seminal explorations of the possibilities of dance and the camera. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 600 | 1 | 4 | |a Deren, Maya. |
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| 600 | 1 | 0 | |a Beatty, Talley. |
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