Family Portrait in Black & White
(Streaming Film)
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More Details
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Format
Streaming Film
Language
Undetermined
Notes
General Note
Title from title frames.
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Interfilm Productions in 2012.
Description
Olga Nenya has 27 children. Four of them, now adults, are her biological children; the other 23 are adopted or foster children. Of those 23, 16 are biracial. She calls them "my chocolates," and is raising them to be patriotic Ukrainians. Some residents of Sumy, Ukraine, consider Olga a saint, but many believe she is simply crazy. An inheritance from the Soviet era, a stigma persists here against interracial relationships, and against children born as the result of romantic encounters between Ukrainian girls and exchange students from Africa. For more than a decade, Olga has been picking up the black babies left in Ukrainian orphanages and raising them together so that they may support and protect one another. The filmmakers interview with Neo-Nazis in Ukraine reveals the real dangers for a dark-skinned individual in the street. These white supremacist youth joke about their evening raids and how police seem to let them do it. Prosecutors are not particularly determined to give strict sentences to racially motivated crimes, and young thugs can get away with probation for beating someone nearly to death. Olga sends her foster children to stay with host families in France and Italy in the summers and over Christmas, where they are cared for by charitable families who have committed to helping disadvantaged Ukrainian youth since the Chernobyl disaster. Olga's kids now speak different languages, and the older girls chat in fluent Italian with each other even while cooking a vat of borscht. But Olga doesn't believe in international adoption and has refused to sign adoption papers from host families that wanted to adopt her kids. "At least when the kids grow up, they'll have a mother to blame for all the failures that will happen in their lives," she says.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2015). Family Portrait in Black & White . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2015. Family Portrait in Black & White. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Family Portrait in Black & White Kanopy Streaming, 2015.
MLA Citation, 9th Edition (style guide)Family Portrait in Black & White Kanopy Streaming, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
MARC Record
Grouped Work ID
5863e242-2bba-9c32-25e0-503690b6c83e-und
Grouping Information
Grouped Work ID | 5863e242-2bba-9c32-25e0-503690b6c83e-und |
---|---|
Full title | family portrait in black and white |
Author | kanopy |
Grouping Category | movie |
Last Update | 2024-04-30 15:17:32PM |
Last Indexed | 2024-09-07 02:35:53AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Nov 20, 2023 |
Last Used | Aug 30, 2024 |
Marc Record
First Detected | Aug 17, 2023 05:27:54 PM |
---|---|
Last File Modification Time | Apr 30, 2024 03:18:30 PM |
MARC Record
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500 | |a Title from title frames. | ||
500 | |a In Process Record. | ||
518 | |a Originally produced by Interfilm Productions in 2012. | ||
520 | |a Olga Nenya has 27 children. Four of them, now adults, are her biological children; the other 23 are adopted or foster children. Of those 23, 16 are biracial. She calls them "my chocolates," and is raising them to be patriotic Ukrainians. Some residents of Sumy, Ukraine, consider Olga a saint, but many believe she is simply crazy. An inheritance from the Soviet era, a stigma persists here against interracial relationships, and against children born as the result of romantic encounters between Ukrainian girls and exchange students from Africa. For more than a decade, Olga has been picking up the black babies left in Ukrainian orphanages and raising them together so that they may support and protect one another. The filmmakers interview with Neo-Nazis in Ukraine reveals the real dangers for a dark-skinned individual in the street. These white supremacist youth joke about their evening raids and how police seem to let them do it. Prosecutors are not particularly determined to give strict sentences to racially motivated crimes, and young thugs can get away with probation for beating someone nearly to death. Olga sends her foster children to stay with host families in France and Italy in the summers and over Christmas, where they are cared for by charitable families who have committed to helping disadvantaged Ukrainian youth since the Chernobyl disaster. Olga's kids now speak different languages, and the older girls chat in fluent Italian with each other even while cooking a vat of borscht. But Olga doesn't believe in international adoption and has refused to sign adoption papers from host families that wanted to adopt her kids. "At least when the kids grow up, they'll have a mother to blame for all the failures that will happen in their lives," she says. | ||
538 | |a Mode of access: World Wide Web. | ||
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