Bitter roots : the ends of a Kalahari myth.
(Streaming Film)
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Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
Streaming Film
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Documentary Educational Resources in 2010.
Description
Bitter roots: the ends of a Kalahari myth is set in Nyae-Nyae, a region of Namibia located in southern Africa's Kalahari desert, traditional home of the Ju/'hoansi. It updates the ethnographic film record begun in the 1950s by John Marshall, whose films documented 50 years of change, and who together with Claire Ritchie, established a grass-roots development foundation, which Adrian Strong (the filmmaker) joined in the late 1980s. Shot in 2007, two years after Marshall's death (and including footage from his films), Bitter Roots documents the return of Strong and Ritchie to Nyae-Nyae where they observe the erosion of a community-led development process following the imposition of a new agenda led by the World Wildlife Fund, which prioritizes wildlife conservation and tourism over subsistence farming. Communities voice their dissatisfaction with the new conservancy, which has done little to help people farm and improve their lives. Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds. Filmmaker: Adrian Strong.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Strong, A. (2014). Bitter roots: the ends of a Kalahari myth . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Strong, Adrian. 2014. Bitter Roots: The Ends of a Kalahari Myth. [San Francisco, California, USA]: Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Strong, Adrian. Bitter Roots: The Ends of a Kalahari Myth [San Francisco, California, USA]: Kanopy Streaming, 2014.
Harvard Citation (style guide)Strong, A. (2014). Bitter roots: the ends of a kalahari myth. [San Francisco, California, USA]: Kanopy Streaming.
MLA Citation, 9th Edition (style guide)Strong, Adrian. Bitter Roots: The Ends of a Kalahari Myth Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
MARC Record
Grouped Work ID
538ecfca-d6a3-b12d-76cc-63f4e45db1c8-eng
Grouping Information
Grouped Work ID | 538ecfca-d6a3-b12d-76cc-63f4e45db1c8-eng |
---|---|
Full title | bitter roots the ends of a kalahari myth |
Author | kanopy |
Grouping Category | movie |
Last Update | 2024-12-26 15:47:31PM |
Last Indexed | 2025-01-11 02:32:41AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Nov 24, 2023 |
Last Used | Sep 6, 2024 |
Marc Record
First Detected | Aug 17, 2023 05:26:27 PM |
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Last File Modification Time | Dec 26, 2024 03:48:19 PM |
MARC Record
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520 | |a Bitter roots: the ends of a Kalahari myth is set in Nyae-Nyae, a region of Namibia located in southern Africa's Kalahari desert, traditional home of the Ju/'hoansi. It updates the ethnographic film record begun in the 1950s by John Marshall, whose films documented 50 years of change, and who together with Claire Ritchie, established a grass-roots development foundation, which Adrian Strong (the filmmaker) joined in the late 1980s. Shot in 2007, two years after Marshall's death (and including footage from his films), Bitter Roots documents the return of Strong and Ritchie to Nyae-Nyae where they observe the erosion of a community-led development process following the imposition of a new agenda led by the World Wildlife Fund, which prioritizes wildlife conservation and tourism over subsistence farming. Communities voice their dissatisfaction with the new conservancy, which has done little to help people farm and improve their lives. Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds. Filmmaker: Adrian Strong. | ||
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