The Celluloid Bordello.
(Streaming Film)
Contributors
Piccillo, Juliana, film director.
Sprinkle, Annie, actor.
Kalamka, Juba, actor.
Brewster Nguyen, Natalie, actor.
De Villiers, Nicholas, actor.
Sprinkle, Annie, actor.
Kalamka, Juba, actor.
Brewster Nguyen, Natalie, actor.
De Villiers, Nicholas, actor.
Status
Description
Loading Description...
Also in this Series
Checking series information...
More Details
Published
[San Francisco, California, USA] : First Run Features, 2020., Kanopy Streaming, 2022.
Format
Streaming Film
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Annie Sprinkle, Juba Kalamka, Natalie Brewster Nguyen, Nicholas De Villiers, Sammie Lei, Scarlet Harlot
Date/Time and Place of Event
Originally produced by First Run Features in 2020.
Description
Since the dawn of cinema, sex workers have served as muses to movie-makers. From turn of the century white slavery pictures (The Girl who went Astray, 1900), to iconic rom-coms (Pretty Woman, 1990), to indie hits (Tangerine, 2015), hookers, hustlers, call girls, street walkers, strippers and dommes have been staples of the silver screen. Cinematic sex workers are punchlines, cautionary tales or fantasy figures. They are brutalized, killed off, sometimes rescued and almost always represented as if no sex worker is in theater. Even in documentary films such as Born Into Brothels (2004) or Tricked (2013), reality is distorted by filmmakers (almost always non-sex workers), who are determined to show trauma, violence and pathos rather than the resilience, successes, and thriving communities that are the norm for many sex workers. THE CELLULOID BORDELLO brings sex workers to the theater. With equal parts historical overview, critique, and homage, the film lets real life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark and, most importantly, how perpetuating stereotypes in media affects real peoples' lives.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Piccillo, J., Sprinkle, A., Kalamka, J., Brewster Nguyen, N., De Villiers, N., Lei, S., & Harlot, S. (2020). The Celluloid Bordello . First Run Features.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Juliana, Piccillo et al.. 2020. The Celluloid Bordello. [San Francisco, California, USA]: First Run Features.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Juliana, Piccillo et al.. The Celluloid Bordello [San Francisco, California, USA]: First Run Features, 2020.
Harvard Citation (style guide)Piccillo, J., Sprinkle, A., Kalamka, J., Brewster Nguyen, N., De Villiers, N., Lei, S. and Harlot, S. (2020). The celluloid bordello. [San Francisco, California, USA]: First Run Features.
MLA Citation, 9th Edition (style guide)Piccillo, Juliana,, et al. The Celluloid Bordello First Run Features, 2020.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
MARC Record
Grouped Work ID
0afeb642-82d3-848d-4059-e6fb02e8c391-eng
Grouping Information
| Grouped Work ID | 0afeb642-82d3-848d-4059-e6fb02e8c391-eng |
|---|---|
| Full title | celluloid bordello |
| Author | first run features |
| Grouping Category | movie |
| Last Update | 2024-04-30 15:17:32PM |
| Last Indexed | 2025-06-07 02:31:55AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Apr 30, 2024 |
| Last Used | Apr 11, 2025 |
Marc Record
| First Detected | Aug 17, 2023 05:34:14 PM |
|---|---|
| Last File Modification Time | Apr 30, 2024 03:22:28 PM |
MARC Record
| LEADER | 03216ngm a2200577 i 4500 | ||
|---|---|---|---|
| 001 | kan12849421 | ||
| 003 | CaSfKAN | ||
| 005 | 20220308022555.0 | ||
| 006 | m o c | ||
| 007 | cr una---unuuu | ||
| 007 | vz uzazuu | ||
| 008 | 220308p20222020cau085 o vleng d | ||
| 028 | 5 | 2 | |a 12849421|b Kanopy |
| 035 | |a (OCoLC)1303727977 | ||
| 040 | |a CaSfKAN|b eng|e rda|c CaSfKAN | ||
| 245 | 0 | 4 | |a The Celluloid Bordello. |
| 264 | 1 | |b First Run Features,|c 2020. | |
| 264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2022. | |
| 300 | |a 1 online resource (streaming video file) (86 minutes):|b digital, .flv file, sound | ||
| 336 | |a two-dimensional moving image|b tdi|2 rdacontent | ||
| 337 | |a computer|b c|2 rdamedia | ||
| 338 | |a online resource|b cr|2 rdacarrier | ||
| 344 | |a digital | ||
| 347 | |a video file|b MPEG-4|b Flash | ||
| 500 | |a Title from title frames. | ||
| 500 | |a Film | ||
| 500 | |a In Process Record. | ||
| 511 | 0 | |a Annie Sprinkle, Juba Kalamka, Natalie Brewster Nguyen, Nicholas De Villiers, Sammie Lei, Scarlet Harlot | |
| 518 | |a Originally produced by First Run Features in 2020. | ||
| 520 | |a Since the dawn of cinema, sex workers have served as muses to movie-makers. From turn of the century white slavery pictures (The Girl who went Astray, 1900), to iconic rom-coms (Pretty Woman, 1990), to indie hits (Tangerine, 2015), hookers, hustlers, call girls, street walkers, strippers and dommes have been staples of the silver screen. Cinematic sex workers are punchlines, cautionary tales or fantasy figures. They are brutalized, killed off, sometimes rescued and almost always represented as if no sex worker is in theater. Even in documentary films such as Born Into Brothels (2004) or Tricked (2013), reality is distorted by filmmakers (almost always non-sex workers), who are determined to show trauma, violence and pathos rather than the resilience, successes, and thriving communities that are the norm for many sex workers. THE CELLULOID BORDELLO brings sex workers to the theater. With equal parts historical overview, critique, and homage, the film lets real life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark and, most importantly, how perpetuating stereotypes in media affects real peoples' lives. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 650 | 0 | |a Feminism. | |
| 650 | 0 | |a Gender identity. | |
| 650 | 0 | |a Mass media. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Documentary films. | |
| 650 | 0 | |a Arts. | |
| 650 | 0 | |a Digital communications. | |
| 650 | 0 | |a Social sciences. | |
| 655 | 7 | |a Documentary films.|2 lcgft | |
| 700 | 1 | |a Piccillo, Juliana,|e film director. | |
| 700 | 1 | |a Sprinkle, Annie,|e actor. | |
| 700 | 1 | |a Kalamka, Juba,|e actor. | |
| 700 | 1 | |a Brewster Nguyen, Natalie,|e actor. | |
| 700 | 1 | |a De Villiers, Nicholas,|e actor. | |
| 700 | 1 | |a Lei, Sammie,|e actor. | |
| 700 | 1 | |a Harlot, Scarlet,|e actor. | |
| 710 | 2 | |a First Run Features (Firm),|4 dst | |
| 710 | 2 | |a Kanopy (Firm),|4 dst | |
| 856 | 4 | 0 | |u https://losgatosca.kanopy.com/node/11849422|z A Kanopy streaming video |
| 856 | 4 | 2 | |z Cover Image|u https://www.kanopy.com/node/11849422/external-image |
